It would be a long while, a good long while, before I got to see Van again.
In the years that followed, I lived on my own little planet, and Van lived on his, albeit his planet was a bit bigger than mine, by a couple hundred miles at least. I satisfied my rabid interest by listening to his albums, wearing down Astral Weeks, Moondance, and His Band and the Street Choir on my two-bit record player. I thought I was in heaven having three LPs of his to balance on the spindle and let fall for hours of listening pleasure. Van continued to be a workhorse in the studio, and I was the lucky benefactor of a new release every year – starting with Tupelo Honey in 1971 and, in quick succession, Saint Dominic’s Preview, Hard Nose the Highway, Veedon Fleece and the quintessential live album, It’s Too Late to Stop Now. It’s probably been said by more knowledgeable fans than I, that if Van had made a career-changing move into basket weaving at that point, we would have been well-served with what we had. Continue reading →